Sunday, May 17, 2009
Friday, May 15, 2009
Pirates, Plankton, and Pelicans: Sailing
Explore the sailing vessel the Spirit of South Carolina.Take a Virtual Tour and explore the ship's galley, bunks, engine room and more with 360* panoramas.
With the Interactive Model learn about the essential components of a sailing schooner with this interactive version of the Spirit of South Carolina,
WiKiPeDiA
SC Maritime Foundation
Spark Notes from Barnes and Noble Jr & Sr High
LINK
Study Guides,
NO FEAR Shakespeare,
Fact Charts,
Test Prep,
Subject Browser,
College Texts Condensed
Study Guides,
NO FEAR Shakespeare,
Fact Charts,
Test Prep,
Subject Browser,
College Texts Condensed
Pink Monkey.com
LINKWe offer hundreds of free study guides, chapter summaries, plot analysis, book notes, chapter notes, synopsis, essays, downloadable notes.
is a "G" rated study resource for junior high, high school, college students, teachers and home schoolers. What does PinkMonkey offer you? The World's largest library of free online Literature Summaries, with over 460 Study Guides / Book Notes / Chapter Summaries online currently, and so much more. No more trips to the book store; no more fruitless searching for a booknote that no one ever has in stock!
You'll find it all here, online 24/7!
Starfall.com
Starfall.comABC's, Phonics, Beginning to Read, Read Alone.
Interactive with sounds and word pronunciation. Stories are read. Great colors and graphics.
2009 Summer Reading
Kids can earn a free book with the 2009 Summer Reading Program from Barnes and Noble - LINK.
Here's How It Works:
1. Kids read any eight (8) books of their own choosing.
2. Kids use the Summer Reading Journal to tell us their favorite part of each book. A parent/guardian signs the journal when it's complete. You can also get a Spanish-language Reading Journal.
3. Children bring their completed Reading Journal to a Barnes & Noble store between May 26th & September 7th, 2009.
4. We'll give them a coupon for a FREE book! They choose from a list of exceptional paperback titles.*
* Eligible books will be listed on the coupon. Choices must be made from available stock. No special orders. Limit of one (1) form per school-age child (grades 1-6), please. Incomplete forms will be ineligible for free books.
Book Adventure Sylvan Learning 7000 Titles
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http://www.bookadventure.org/qt/excelBookList.asp?type=html
Find a book at specific Reading Level
One More Story
A one-year home subscription is $44.00. Take the Tour.What We Are
One More Story is an online library of the best of children's classic and contemporary literature. Through a simple point and click process, children can choose a book, see the illustrations and have the book read to them whenever they want.
Library
The One More Story library features the highest quality children's books (including Caldecott Medal winners) from ten different publishers. Books will be continually added to the One More Story library until we reach one hundred and eight books.
See a list of the books in the One More Story library >>
 See a sample book |
A child can easily choose a book by clicking on the green button under that book. As the narrator reads, words are individually high-lighted in the text box at the bottom of the screen. Each story is professionally narrated, and original music has been written for each book.
 See I Can Read It mode |
One More Story offers the I Can Read It mode for beginning readers. Clicking on the "I" button (in the upper right hand corner) mutes the sound, allowing the child to read the book. If a word is unfamiliar, the child can click on it and hear that word spoken by the narrator. This is available for every word in each book in the One More Story library.
MrsP.com Classic Children's Stories
www.MrsP.com is a fun storybook entertainment site that celebrates reading and books. Classic children’s stories are brought to life by TV star Kathy Kinney as Mrs. P.
Reviewed by Common Sense Media
Reviewed by Common Sense Media
What's the story?
Reviewed by Susan Yudt
Actress Kathy Kinney played cantankerous secretary Mimi Bobeck on The Drew Carey Show. But on MRSP.COM, Kinney -- one of the site's co-creators -- dons a pair of reading glasses as Mrs. P., a storyteller with an Irish brogue and a dry sense of humor. Mrs. P sits in her flash-animated study, surrounded by quirky, clickable objects. Click on her bookcase and Mrs. P will read whichever book you choose. There are fairy tales aplenty, along with other children's classics like "The Tale of Peter Rabbit." Older kids can check out Edgar Allan Poe's "The Tell-Tale Heart" (but maybe not right before bedtime).
Is it any good?
Though a high-tech endeavor, MrsP.com aims to preserve the very low-tech pastime of reading and storytelling. The sophisticated animation and high level of interactivity are undoubtedly digital age, but Mrs. P. also employs some delightfully old-fashioned touches, like prefacing her tales with personal anecdotes. The stories are light on illustration, compelling kids to use their imaginations to flesh out the tales. Well done overall, with the promise of more stories to come.
FactCheck.org reviewed by: Common Sense Media
What's the story?
Reviewed by Jacqueline Rupp
During election season, TV programs become awash in political advertising. With emotionally-charged music and images and dramatic voiceovers, these ads can be quite compelling. That is until you look at the facts behind the melodrama. But sorting through news reports, candidate Web sites, and editorials can be a lengthy process. That's where FACTCHECK.ORG comes in handy. This 2008 Webby Award-winning site provides daily analysis of U.S. political players, monitoring factual accuracy of what's said on TV and in debates, speeches, and interviews through detailed articles that provide both a summary and lengthy study of a specific subject. FactCheckEd, the educational section, interprets political lingo and catch phrases, and has a dictionary and a resource which helps kids sift through other sites by identifying them as partisan, public, or general.
Is it any good?
Like a breath of fresh air, FactCheck.org cuts through the political mudslinging and propaganda to provide real, factual information about the abstract claims made by political candidates. Just the Facts is a CNN-esque video report that dissects timely topics such as the creative video editing of campaign ads. With young correspondents and a clean look, the videocasts judiciously use news clips and commentary, making the videos easy to watch and understand. This is probably the department most accessible to kids.
Ask FactCheck is also a clever timely feature and allows visitors to ask the site's staff questions about the political campaign. As far as Web designs go, FactCheck is nicely organized and easy to navigate. It doesn't overwhelm the user with too many features, but instead presents deliberately detailed analysis that's hard to find these days.
http://www.commonsensemedia.org/website-reviews/FactCheck.html
Saturday, May 9, 2009
Dance With Me Ages 7-12
A joyous collection of poems celebrates many kinds of traditional and original dances, from the classic waltzes and tap dances to a dance with the wind and a gardener's dance with her hoe.Subjects
Dance with Me
By Barbara Juster Esbensen
Illustrated by Megan Lloyd
Published by Harpercollins, 1995
ISBN 0060228237, 9780060228231
32 pages Ages 7, 8, 9, 10
A lovely collection of 15 poems, graced ...
... with iridescent pastel illustrations. Everyday objects and events are given a new charm in these verses that capture a rhythmic dance, from the tap-dancing of raindrops falling on the roof in a summer storm to the hidden music as a baby dances with her reflection in the mirror. Even such unlikely ""dancers"" as a gardener and basketball make appearances. Esbensen (Baby Whales Drink Milk, 1994, etc.) has a talent for choosing subjects, using rhythms, and finding language with ready appeal for her audience. Sunny or dramatic, Lloyd's illustrations deftly capture the tone of the accompanying verse. The pacing of the book is particularly nice: It begins with an invitation to the wind and the wind's reply, and ends with the still dance of sunlight through a dusty room. A fine addition to poetry and picture book collections, this is simple enough for reading alone and strong enough for group sharing. Kirkus Reviews Copyright (c) VNU Business Media, Inc.
"Gr 3-6, Ages 9, 10, 11, 12 -- In 15 poems, all manner of dancers move to all sorts of rhythms and reveal unexpected images in the most delightful ways. Introducing the book with an invitation to partner the wind, Esbensen highlights such diverse subjects as bubbles, waves, and dust, and sees surprising choreography in everyday experiences. Even the visual arrangement of words on the page reinforces the verbal images and cadences that explore movement. Trees '...lock crooked arms/ and step across the lawn.' Mirages '...slide on invisible feet.' Raindrops are '...high-stepping/hoofers of summer.' There are people here, too; a baby tapping a beat to her mirrored reflection, a woman dancing a staccato rhythm as she weeds the garden, two grandparents gliding to a melody of memories. Lightning takes the exuberant stance of swordsmen, and children shadow dance and race in the sun. Lloyd's lovely crayon and pastel drawings add a floating lightness to each page and suggest, rather than tell, what the poet imagines. (As in Esbensen's Cold Stars and Fireflies (1984), Who Shrank My Grandmother's House? (1992), and Words with Wrinkled Knees (1987), all Harper/Collins), readers will find new discoveries and fresh delight in repeated readings." -- School Library Journal by Barbara Kiefer, Teacher's College, Columbia University, NY City
"Gr 3-6, Ages 9, 10, 11, 12 -- In 15 poems, all manner of dancers move to all sorts of rhythms and reveal unexpected images in the most delightful ways. Introducing the book with an invitation to partner the wind, Esbensen highlights such diverse subjects as bubbles, waves, and dust, and sees surprising choreography in everyday experiences. Even the visual arrangement of words on the page reinforces the verbal images and cadences that explore movement. Trees '...lock crooked arms/ and step across the lawn.' Mirages '...slide on invisible feet.' Raindrops are '...high-stepping/hoofers of summer.' There are people here, too; a baby tapping a beat to her mirrored reflection, a woman dancing a staccato rhythm as she weeds the garden, two grandparents gliding to a melody of memories. Lightning takes the exuberant stance of swordsmen, and children shadow dance and race in the sun. Lloyd's lovely crayon and pastel drawings add a floating lightness to each page and suggest, rather than tell, what the poet imagines. (As in Esbensen's Cold Stars and Fireflies (1984), Who Shrank My Grandmother's House? (1992), and Words with Wrinkled Knees (1987), all Harper/Collins), readers will find new discoveries and fresh delight in repeated readings." -- School Library Journal by Barbara Kiefer, Teacher's College, Columbia University, NY City
Honey Bees Ages 4-12
While visiting The Storyteller's Bookstore I found these!
Product Dimensions: 10.6 x 8.7 x 0.1 inches
The Life and Times of the Honeybee PREVIEW
Honey Bees and Honey PREVIEW
Key Terms
PREVIEW
How do bees make honey? Why are they so sweet on their queen? What hours do they work in their honey factories called hives? For all the buzz about honeybees, this Jump into Science title really is the bees' knees!
HoneybeesBy Deborah Heiligman, Carla Golembe
Illustrated by Carla Golembe
Edition: illustrated, reprint
Published by National Geographic Society, 2007
ISBN 142630157X, 9781426301575
31 pages Ages 4, 5, 6, 7, 8
Charles Micucci offers a wide-ranging and spirited introduction to the life cycle, social organization, and history of one of the world's most useful insects. "A solid, fascinating treasure trove of bee stuff, as enriching to the mind as it is pleasing to the eye. Micucci's book is a wonderful example of how good children's nonfiction can really be." -- Booklist, starred review
By Charles Micucci
Edition: illustrated
Published by Houghton Mifflin Harcourt, 1997
ISBN 039586139X, 9780395861394
32 pages
The author of The Life and Times of the ...
... Apple (Orchard, 1992) uses the same breezy, colorful format to introduce the honeybee, its history, anatomy, odd facts, and daily life. He describes the bee from egg to adult in brief text and soft-colored pictures. Each spread offers a dozen or more drawings and tidbits, e.g., bee communication through dancing, beekeeping, wax and honey products, bees through history, and around the world. This is a charming browsing title, but the text lacks precision and the author gives no sources. Micucci notes, ""8000 B.C. After the Ice Age, people hunted bees with torches."" Maybe, but how do we know? He states that the round dance is used when the flowers are ""less than 100 yards away."" Encyclopedia Americana (1994, Volume 3) says that when the nectar source is closer than about ten yards, the circular dance is used. For nectar from 10 to 100 yards away, the dance becomes sickle-shaped and eventually the figure eight. Honeybees are fascinating and have been extensively researched; most enthusiasts will want more information than this title provides.Kirkus Reviews Copyright (c) VNU Business Media, Inc.
From School Library Journal
Grade 2-4 Ages 8, 9 , 10. Information about honeybees has never been more interesting. As in Micucci's The Life and Times of the Apple (Orchard, 1992), text and illustrations perfectly complement one another in a concise presentation of facts about the insects both within and outside the hive. Their physical characteristics, division of labor, and role in pollination are fully described. Additional fascinating facts about a bee's year-round activities, the job of the beekeeper, the many products that contain beeswax and other natural products from the hive, and ways honey has been used throughout history are included. Excellent organization with attention to clear labeling of diagrams and correct juxtaposition of text and illustrations combine with a direct writing style that makes the material easy to understand. Even the "tail-wagging dance" that directs bees to flower locations is simple to follow. The author's naturalistic watercolors are beautifully rendered in soft hues that reflect the true colorations, and a whimsical little bee in glasses appears periodically to lend a touch of humor. There is no index, but a table of contents leads to specific topics. A book that is right on target for young readers, and one that would be a fine companion to photographed titles such as Barrie Watts's Honeybee (Silver Burdett, 1990). Diane Nunn, Richard E. Byrd Elementary School, Glen Rock, NJ
Copyright 1995 Reed Business Information, Inc.
From Booklist
Gr. 3-5, Ages 9, 10 , 11, younger for reading aloud. Every bit as nicely designed and packed with information as The Life and Times of the Apple (1992), this book reminds us that original artwork can be more precise and just as spectacular as photographs in children's nonfiction: here, for example, there's a large, striking, double-page-spread illustration of a worker bee guaranteed to make kids gasp. Most of the drawings, however, are small, finely detailed, and many to a page. Along with reinforcing and expanding upon the text, they lighten the information load--a bespectacled cartoon bee adds a bit of comedy by flitting from page to page among his more realistically drawn relatives. Each nicely organized double-page spread deals with a different aspect of the honeybee variety we know best (Micucci is not concerned with African or Africanized bees). The information, which appears in concise, clearly written blocks of text, covers everything from distribution, reproduction, behavior, and honey manufacture to the honeybee's niche in history. A solid, fascinating treasure trove of bee stuff, as enriching to the mind as it is pleasing to the eye, Micucci's book is a wonderful example of how good children's nonfiction can really be. Stephanie Zvirin --
From School Library Journal
Grade 2-4 Ages 8, 9 , 10. Information about honeybees has never been more interesting. As in Micucci's The Life and Times of the Apple (Orchard, 1992), text and illustrations perfectly complement one another in a concise presentation of facts about the insects both within and outside the hive. Their physical characteristics, division of labor, and role in pollination are fully described. Additional fascinating facts about a bee's year-round activities, the job of the beekeeper, the many products that contain beeswax and other natural products from the hive, and ways honey has been used throughout history are included. Excellent organization with attention to clear labeling of diagrams and correct juxtaposition of text and illustrations combine with a direct writing style that makes the material easy to understand. Even the "tail-wagging dance" that directs bees to flower locations is simple to follow. The author's naturalistic watercolors are beautifully rendered in soft hues that reflect the true colorations, and a whimsical little bee in glasses appears periodically to lend a touch of humor. There is no index, but a table of contents leads to specific topics. A book that is right on target for young readers, and one that would be a fine companion to photographed titles such as Barrie Watts's Honeybee (Silver Burdett, 1990). Diane Nunn, Richard E. Byrd Elementary School, Glen Rock, NJ
Copyright 1995 Reed Business Information, Inc.
From Booklist
Gr. 3-5, Ages 9, 10 , 11, younger for reading aloud. Every bit as nicely designed and packed with information as The Life and Times of the Apple (1992), this book reminds us that original artwork can be more precise and just as spectacular as photographs in children's nonfiction: here, for example, there's a large, striking, double-page-spread illustration of a worker bee guaranteed to make kids gasp. Most of the drawings, however, are small, finely detailed, and many to a page. Along with reinforcing and expanding upon the text, they lighten the information load--a bespectacled cartoon bee adds a bit of comedy by flitting from page to page among his more realistically drawn relatives. Each nicely organized double-page spread deals with a different aspect of the honeybee variety we know best (Micucci is not concerned with African or Africanized bees). The information, which appears in concise, clearly written blocks of text, covers everything from distribution, reproduction, behavior, and honey manufacture to the honeybee's niche in history. A solid, fascinating treasure trove of bee stuff, as enriching to the mind as it is pleasing to the eye, Micucci's book is a wonderful example of how good children's nonfiction can really be. Stephanie Zvirin --
Young readers love the rich photographs in these books as they explore the world of honey bees. The book "Honey Bees identifies the body parts of these insects. The other three books focus on pollination, the hive community, and the production of honey. Labeled photographs support readers' understanding of content-area vocabulary. This series explores and supports the standard "The Living Environment: Interdependence of Life," as required by Benchmarks for Science Literacy: Project 2061.
By Lola M. Schaefer, Gail Saunders-Smith
Edition: illustrated
Published by Coughlan Publishing, 1999
ISBN 0736802339, 9780736802338
24 pages
Product Dimensions: 7.3 x 6.3 x 0.3 inches
Product Dimensions: 7.3 x 6.3 x 0.3 inches
From "Baby Bumblebee" to "The Ants Go Marching," children learn about the insects they encounter in their own backyard with these songs. The book features more than 250 activities that teach children about colors, counting, growing things, friendship, and bugs. 40 illustrations.
Bugs, bugs, bugs!: 21 songs and over 250 activities for young childrenBy Pamela Byrne Schiller, Clarissa Willis
Illustrated by Deborah Johnson
Edition: illustrated
Published by Gryphon House, Inc., 2006
ISBN 0876590202, 9780876590201
128 pages
About the Author
Pam Schiller, Ph.D., is an early childhood author, consultant, and highly sought after speaker. She has written numerous articles for early childhood journals, including Child Care Information Exchange and Texas Child Care Quarterly. Pam is the author of five early childhood curriculums, eleven children's books and more than 30 teacher and parent resource books.
About the Author
Pam Schiller, Ph.D., is an early childhood author, consultant, and highly sought after speaker. She has written numerous articles for early childhood journals, including Child Care Information Exchange and Texas Child Care Quarterly. Pam is the author of five early childhood curriculums, eleven children's books and more than 30 teacher and parent resource books.
Wednesday, May 6, 2009
Destination: Space & Galaxies Ages 9-13
Launched in 1990, the Hubble Space Telescope is still sending us images of the cosmos never before seen by the human eye. There are more pictures and new discoveries every day. Orbiting above the atmosphere, the Hubble Space Telescope can see into space ten times more clearly than the most powerful telescope on Earth.
In Destination: Space, stunning visuals illustrate major discoveries as Seymour Simon explains what each carefully chosen image has shown us about the universe. Capturing fascinating and complex scientific discoveries in dramatic photographs and an easy-to-understand text, Seymour Simon once again shows why he is widely regarded as one of America's most exciting and informative authors.
By Seymour Simon
Edition: illustrated
Published by HarperCollins Publishers, 2002
ISBN 0688162894, 9780688162894
32 pages
The dean of science-writers for the ...
... grammar-school set offers comments on over a dozen big, dramatic photos and photo collages generated by the Hubble Space Telescope, from a sharply focused triple image of Mars to a tiny red arc identified as the most distant galaxy every observed. Most of the pictures look thousands of light years into space—to star "nurseries," remnants of massive explosions, clouds surrounding black holes, colliding galaxies, and less identifiable phenomena. In his characteristically matter-of-fact way, Simon (Seymour Simon's Book of Trains, p. 51, etc.) describes just what the viewer is seeing, puts it into astronomical context, and even mentions, sometimes, how or why certain shots were taken. Though this is nothing like a complete picture of what the Hubble has added to our knowledge of the visible universe, it will leave even readers who are not scientifically inclined with both a clearer understanding of modern astronomy's frontiers, and an enhanced sense of wonder at the starscape's vast, turbulent beauty. (Nonfiction. 9, 10, 11) Kirkus Reviews Copyright (c) VNU Business Media, Inc.
Gr 4-7 , Ages 10, 11, 12, 13-In this handsome and fascinating ...
... oversized book, Simon discusses the many new discoveries scientists have made because of the Hubble Space Telescope (HST), which has been orbiting Earth since April, 1990. On each spread, the large-print, easy-to-understand text is supported by a stunning, full-page color photograph. The author explains what discovery each image produced and how the information fits into our existing knowledge. His enthusiastic descriptions create vivid pictures in and of themselves.-Linda Wadleigh, Oconee County Middle School, Watkinsville, GA Cahners Business Information (c) 2002
By Seymour Simon
Edition: illustrated, reprint
Published by Harpercollins Childrens Books, 1991
ISBN 0688109926, 9780688109929
32 pages
From Publishers Weekly
Like an afternoon at the planetarium watching a sky show, this is a step-by-step introduction to and description of the many galaxies in the universe. Simon, the author of many science books, uses 20 color photographs, most of which are from the National Optical Astronomy Observatories, to accompany the text. He includes discussions of the ways in which astronomers classify galaxies, black holes, smaller satellite galaxies such as the Magellanic Clouds and supernovas. The terms are explained within the text; however, a glossary might have been a nice addition. As fascinating and accessible as this book is, with its straightforward writing, the concepts may be difficult to comprehend for some readers in the designated age group. They may gain more by sharing Simon's splendid work with adults or older siblings. Ages 4-8.
Copyright 1988 Reed Business Information, Inc.
From School Library Journal
PreSchool-Grade 6 This dazzling photo essay immerses readers in a night sky no human eye ever beheld, full of long exposure color photos and computer-enhanced pictures, to introduce the galaxies: the Milky Way and a variety of others we can detect. Simon gives a clear, sure overview of the subject, occasionally surer than the experts. In one place, he states, ``The Galaxy has three spiral arms,'' ignoring the mixed nature of the evidence. Galaxies and Quasars (Watts, 1987) by Heather Cooper and Nigel Henbest offers considerably more detail for grades 4 to 8, in colorful but less alluring oversize format, and with its own set of errors. Simon's Galaxies is worth having just for the inspiration. Margaret Chatham, formerly at Smithtown Library, N.Y.
Copyright 1988 Reed Business Information, Inc.
From Publishers Weekly
Like an afternoon at the planetarium watching a sky show, this is a step-by-step introduction to and description of the many galaxies in the universe. Simon, the author of many science books, uses 20 color photographs, most of which are from the National Optical Astronomy Observatories, to accompany the text. He includes discussions of the ways in which astronomers classify galaxies, black holes, smaller satellite galaxies such as the Magellanic Clouds and supernovas. The terms are explained within the text; however, a glossary might have been a nice addition. As fascinating and accessible as this book is, with its straightforward writing, the concepts may be difficult to comprehend for some readers in the designated age group. They may gain more by sharing Simon's splendid work with adults or older siblings. Ages 4-8.
Copyright 1988 Reed Business Information, Inc.
From School Library Journal
PreSchool-Grade 6 This dazzling photo essay immerses readers in a night sky no human eye ever beheld, full of long exposure color photos and computer-enhanced pictures, to introduce the galaxies: the Milky Way and a variety of others we can detect. Simon gives a clear, sure overview of the subject, occasionally surer than the experts. In one place, he states, ``The Galaxy has three spiral arms,'' ignoring the mixed nature of the evidence. Galaxies and Quasars (Watts, 1987) by Heather Cooper and Nigel Henbest offers considerably more detail for grades 4 to 8, in colorful but less alluring oversize format, and with its own set of errors. Simon's Galaxies is worth having just for the inspiration. Margaret Chatham, formerly at Smithtown Library, N.Y.
Copyright 1988 Reed Business Information, Inc.
Home Ages 6-10
Home. In this unique volume, prominent American writers from the past and present--Willa Cather, Henry David Thoreau, Eloise Greenfield--give voice to the region of the country each calls home. Thomas Locker's lavish oil paintings accompany each passage, transporting the reader from the crashing waves of the Pacific coast to the bluebonnet fields of the Texas prairie. Come along on a spectacular journey through our home--America.
Home: A Journey through AmericaBy Thomas Locker, Candace Christiansen
Compiled by Thomas Locker
Illustrated by Thomas Locker
Edition: illustrated
Published by Houghton Mifflin Harcourt, 1998
ISBN 015201473X, 9780152014735
32 pages
Kirkus Reviews Copyright (c) VNU Business Media, Inc.
From Publishers Weekly
This visual pilgrimage to the native terrain of a variety of venerable writers suffers from Locker's visually homogeneous treatment of America's diverse landscapes. The journey begins in San Francisco, Robert Frost's birthplace (though most readers likely equate the poet with New England). His "Once by the Pacific" is comprised of strong, clear images: the "great waves" that "thought of doing something to the shore/ That water never did to land before"; the clouds, "low and hairy in the skies." In Locker's painting, however, power is diverted from Frost's fierce flexure of the sea to a purple-to-black sky brooding over agitated water and cliffs glanced by light. Throughout Locker's tour, his brush seems dipped in the Hudson Valley light of his own homeland, and not surprisingly, the standout paintings here are those paired with an excerpt from Washington Irving's "Rip Van Winkle"?depicting a leisurely sail up the Hudson River, the boat dwarfed by the dramatic Kaatskill mountains aflame at sunset?and his own "Birches in the Fall" with white trunks leaning inward, inviting readers down an autumn trail of golden grasses. But when called upon to conjure the Southwest of Pat Mora's "Gold" or the Amish country depicted in Merle Good's "Song of a People," Locker fails to capture the indigenous palette and mood. Unfortunately, the book seems driven by its theme, rather than a celebration of it. Ages 6, 7, 8, 9, 10.
Copyright 1998 Reed Business Information, Inc.
From School Library Journal
Grade 3 Up-American landscapes as viewed via paintings and words. Locker and Christiansen have collected poetic and narrative views of scenes from across the continent by such well-known writers as Robert Frost, John Muir, and Washington Irving as well as modern writers such as Pat Mora, Jane Yolen, and Joseph Bruchac. The oil paintings, in true Lockerian tradition, reflect an inner view of landscape, one reminiscent of early British painters who came to paint American scenes but made each of them look like home. This romanticized approach, relying not on accuracy, perspective, or detail, but rather on creating a mood, may appeal to adults but the use of the same color palette, massive cloud effects, and little action will not capture the imagination or hold the interest of children.
Ronald Jobe, University of British Columbia, Vancouver, Canada
Copyright 1998 Reed Business Information, Inc.
From Publishers Weekly
This visual pilgrimage to the native terrain of a variety of venerable writers suffers from Locker's visually homogeneous treatment of America's diverse landscapes. The journey begins in San Francisco, Robert Frost's birthplace (though most readers likely equate the poet with New England). His "Once by the Pacific" is comprised of strong, clear images: the "great waves" that "thought of doing something to the shore/ That water never did to land before"; the clouds, "low and hairy in the skies." In Locker's painting, however, power is diverted from Frost's fierce flexure of the sea to a purple-to-black sky brooding over agitated water and cliffs glanced by light. Throughout Locker's tour, his brush seems dipped in the Hudson Valley light of his own homeland, and not surprisingly, the standout paintings here are those paired with an excerpt from Washington Irving's "Rip Van Winkle"?depicting a leisurely sail up the Hudson River, the boat dwarfed by the dramatic Kaatskill mountains aflame at sunset?and his own "Birches in the Fall" with white trunks leaning inward, inviting readers down an autumn trail of golden grasses. But when called upon to conjure the Southwest of Pat Mora's "Gold" or the Amish country depicted in Merle Good's "Song of a People," Locker fails to capture the indigenous palette and mood. Unfortunately, the book seems driven by its theme, rather than a celebration of it. Ages 6, 7, 8, 9, 10.
Copyright 1998 Reed Business Information, Inc.
From School Library Journal
Grade 3 Up-American landscapes as viewed via paintings and words. Locker and Christiansen have collected poetic and narrative views of scenes from across the continent by such well-known writers as Robert Frost, John Muir, and Washington Irving as well as modern writers such as Pat Mora, Jane Yolen, and Joseph Bruchac. The oil paintings, in true Lockerian tradition, reflect an inner view of landscape, one reminiscent of early British painters who came to paint American scenes but made each of them look like home. This romanticized approach, relying not on accuracy, perspective, or detail, but rather on creating a mood, may appeal to adults but the use of the same color palette, massive cloud effects, and little action will not capture the imagination or hold the interest of children.
Ronald Jobe, University of British Columbia, Vancouver, Canada
Copyright 1998 Reed Business Information, Inc.
Cinderlily Ages 5-9
For hours beneath the velvet sky they dance without a care,
Until the clock chimes midnight . . . then she’s no longer there!
Just a single lily petal and her fragrance in the air.
One magic night, a poor cinder girl is granted an impossible wish. It may be the most familiar of tales, but under the inimitable wand of David Ellwand, this timeless story blooms as never before. Here, the innocent heroine is a delicate flower, a lily whose faded petals spring to new life as she arrives at the Sultan’s ball in a butterfly-drawn coach. When the smitten Prince sets out in search of the shy, retiring flower who has vanished into thin air, leaving but a petal behind, it’s clear that Cinderlily’s comically garish, pansy-faced stepsisters won’t stand a chance.
With singular vision, humor, and a touch of computer magic, David Ellwand directs a delightfully expressive cast of flowers in a breathtaking production sure to enchant lovers of fairy tales - and lovers of flowers, too.
By David Ellwand, Christine Tagg, Charles Perrault
Illustrated by David Ellwand, Christine Tagg
Contributor David Ellwand, Christine Tagg
Edition: illustrated
Published by Candlewick Press, 2003
ISBN 0763623288, 9780763623289
32 pages
Waving his digital wand, Ellwand poses ...
... balletic figures made from flower parts against black backgrounds for an uncommonly elegant, theatrical rendition of the fairy tale. Just an upended stem with slender, graceful lily stamens for limbs and a twist of dried petals for dress, Cinderlily arrives at the Sultan's palace in a pumpkin coach with sunflower wheels; those petals open to dazzling white curls as she enters, and she leaves one behind when they revert at midnight. In the pared-down plot, the Sultan, quite dashing in his iris-petal pantaloons, quickly tracks Cinderlily down, upon which her stepsisters, instead of suffering just deserts, merely slip offstage. Written in stumbling meter and printed in a set of ornate typefaces, the text doesn't measure up to the inventive art—but children will know how the story goes anyway. An eye-catcher. (Picture book/folktale. 7, 8, 9)Kirkus Reviews Copyright (c) VNU Business Media, Inc.
K-Gr 3, Ages 5, 6, 7, 8, 9 -In this visually intriguing twist ...
... on the traditional tale, Ellwand has replaced the human protagonists with flowers. Using Adobe Photoshop, he has arranged lilies, pansies, tulips, roses, and other petals in graceful poses against stark black backgrounds. While the pictures are technically well executed, it is unlikely they will engender other than a passing interest in children. Tagg's text, written in reasonably well-rhymed couplets, is thin on plot, character development, and imagery. In addition, the alterations she makes in the original tale are incongruous. The prince has become a Sultan, but nonetheless the "band strikes up a waltz" at his Royal Autumn Ball. The fonts, which change frequently in an apparent attempt to match the action of the story, are often hard to read, particularly when placed against those black backgrounds. For a more effective use of natural objects as characters, stay with Saxton Freymann and Joost Elffer's How Are You Peeling? Foods with Moods (Scholastic, 1999).-Grace Oliff, Ann Blanche Smith School, Hillsdale, NJReed Business Information (c) 2003
Friday, May 1, 2009
Mozart Finds a Melody Ages 5-9
For the first time in Wolfgang's life, the famous composer was at a loss for a tune. He tried every trick to get his imagination going. He sang standing on his head. He played his violin in the bathtub. He even threw darts at the blank music paper. Alas, nothing worked.
An imaginative story about Mozart's many inspirations
Wolfgang Mozart must compose a new piano concerto to perform at the famous Burgtheatre in Vienna. But Mozart can't think of a note to write. When he hears his hungry pet starling sing out melodiously, his creativity begins to flow. Before he can put notes to paper, however, his muse escapes through the window, and Mozart is off on a frantic search to bring her back. Will Mozart find both his friend and song in time?
Based on a true story about the famous composer and his beloved pet starling, this enchanting tale celebrates inspiration in any form it takes.
Mozart Finds a MelodyAn imaginative story about Mozart's many inspirations
Wolfgang Mozart must compose a new piano concerto to perform at the famous Burgtheatre in Vienna. But Mozart can't think of a note to write. When he hears his hungry pet starling sing out melodiously, his creativity begins to flow. Before he can put notes to paper, however, his muse escapes through the window, and Mozart is off on a frantic search to bring her back. Will Mozart find both his friend and song in time?
Based on a true story about the famous composer and his beloved pet starling, this enchanting tale celebrates inspiration in any form it takes.
By Stephen Costanza
Edition: illustrated
Published by Macmillan, 2004
ISBN 0805066276, 9780805066272
40 pages
Costanza spins an upbeat tale from a ...
... wisp of fact in his solo debut. A case of writer's block keeps young Mozart staring at a blank page, until his pet starling chirps an intriguing fragment of melody before escaping out the window. The composer's ensuing search takes him through Vienna's streets, where he hears laughter and other sounds that add to the birdsong—and by the weekend, there's a new piano concerto to perform. As in his art for April Pulley Sayre's Noodle Man: The Pasta Superhero (2002), Costanza suffuses his scenes with a golden light that falls alike on Mozart's flyaway mane, on the elaborately costumed Viennese, and on that starling (colored here more like a hummingbird, but call it poetic license)—who returns in the end to perch on the composer's baton. As chronicled in Mordicai Gerstein's What Charlie Heard (2002), the later composer Charles Ives actually did create music inspired by ambient sounds, though to very different effect. But either tale makes a thought-provoking study of the creative process. (afterword) (Picture book. 7, 8, 9)Kirkus Reviews Copyright (c) VNU Business Media, Inc.
K-Gr 3 Ages 5, 6, 7, 8, 9 -In this fictionalized version of ...
... how the composer wrote his "Piano Concerto no. 17 in G Major," Mozart is facing a case of writer's block and a looming deadline. His pet starling begins to sing and the notes provide a fine melody. When the young man opens her cage, she flies out. He looks for her all over the city but doesn't find her. However, the sounds of the streets give him additional inspiration so that he can complete the piece and perform it as planned. During the concert, Miss Bimms hears the music and flies to the theater where she is reunited with her owner. Done in gouache, acrylic, and colored pencil, the sepia-toned illustrations provide beautifully detailed glimpses of Vienna and the concert hall. Unfortunately, Mozart is shown with a round head, big eyes, and wild hair-slightly stylized features that give him the appearance of a Cabbage Patch doll. There is a silliness about the story that seems to detract from the man and his talent. In an author's note, Costanza indicates the source for his ideas. Though not outstanding, this tale can be used to introduce Mozart and to open discussion about how a composer might get inspiration from life around him.-Susan Lissim, Dwight School, New York CityReed Business Information (c) 2004
Thursday, April 30, 2009
A Play's the Thing Ages 5-9
Miss Brilliant is full of ideas. With her students she celebrates everything: teeth, corn, mummies, spiders -- and plays!
Only José isn't interested in "Mary Had a Little Lamb," or being a Brilliant Player, or even his surprise role. But as José learns about drama and tension and working with his classmates, he finds that he, too, has his own special place in Miss Brilliant's class and in her heart.
Aliki has created a memorable teacher and a class full of personalities that all readers will want to join.
A Play's the Thing By Aliki
Illustrated by Aliki
Edition: illustrated
Published by HarperCollins, 2005
ISBN 0060743557, 9780060743550
32 pages
Inventive and jolly, Aliki tells a tale in her familiar comic-strip style, with shiny bright colors and enough sly references to convulse adults, even if the kids sail past them. Miss Brilliant, who must have gone to the same teachers' college as Ms. Frizzle, announces to her class that they are going to put on a play based on "Mary Had a Little Lamb." Her multicultural cast hops to with a will, except for José, who bears a passing resemblance to a certain Pierre who didn't care and who spends almost the whole story acting out against everyone else. They write the script—Miss Brilliant assigns them their roles (Bandana, whose English isn't big yet, is a musician; Steffi, who uses a wheelchair, is the narrator)—lines are written and learned, costumes and scenery prepared. The parents are invited, and it's a great success even for José, who not only plays the teacher but whose mom leaves work early to see him. The children are a rainbow of the American classroom, and the lessons gently taught. (Picture book. 5, 6, 7, 8, 9)
Kirkus Reviews Copyright (c) VNU Business Media, Inc.
Gr 1-3-Aliki's latest production ...
... explores how an experienced teacher uses a student-led performance of "Mary Had a Little Lamb" to help one of the children deal with his bullying behavior. When Miss Brilliant's class decides to put on a fractured version of the story poem, Jos must learn to work with his classmates and overcome his antisocial tendencies. Children will readily identify with the variety of characters and dynamics that populate this class. The students represent a smorgasbord of nationalities and often make references to their cultural heritages. The format of the book resembles comic strips with blocked pictures in various sizes used to contain the action and conversation bubbles. An independent narrative runs beneath these boxes. This text needs the dialogue to flesh out the plot. It is in the conversation bubbles that Jos 's defiant attitude and self-awareness are evident. Using the book with a group may prove difficult because children will not be able to appreciate the nuances of the boy's expressions and his deliberately unkind actions. This is, however, the type of work that children will be drawn to again and again because they recognize their world so aptly captured in both word and art. Each time they revisit, they will find something new in the colorful cartoon illustrations that prove that Aliki knows her audience.-Maura Bresnahan, High Plain Elementary School, Andover, MA « Reed Business Information (c) 2005
Monday, April 27, 2009
On Stage: Theater Games and Activities for Kids Ages 6-13
On Stage: Theater Games and Activities for Kids
By Lisa Bany-Winters
Edition: illustrated
Published by Chicago Review Press, 1997
ISBN 1556523246, 9781556523243
180 pages
From School Library Journal
Grade 1-6, Ages 6, 7, 8, 9, 10, 11, 12 A compendium of theater games that is sure to delight young thespians. While the material is not new and many of the games are classics ("Mirrors," "Change Three Things," and "Freeze"), Bany-Winters has a clear and concise way of explaining both the activity and its purpose, making her work a useful source for ensemble-building games for student-run drama groups and rehearsal techniques for adult teachers/directors. Often renamed for greater child appeal, the activities range from vocal warm ups to improvisational scene work, and many include helpful suggestions for variations on familiar games. Exercises in puppetry, mask making, costuming, makeup, and set design, as well as several short scripts, round out the presentation. Explanations of theatrical terms are smoothly incorporated into the text. Tips for young actors and short anecdotes about theatrical figures or plays are featured throughout. Simple black-and-white graphics add touches of humor. One drawback is the list of "Suggested Plays and Stories for Kids," which includes some titles that are beyond both the abilities and interests of preteens. Nevertheless, this will be a terrific addition to drama collections. Purchase an extra copy for the professional shelf as well. Nancy Menaldi-Scanlan, LaSalle Academy, Providence,
Copyright 1998 Reed Business Information, Inc.
From Booklist
Gr. 4-7, Ages 10, 11, 12, 13. Here's a welcome addition for libraries that have calls for theater-related topics. Bany-Winters, who has taught children's theater, has compiled a varied and interesting assortment of theater games that will stimulate the imagination and get young thespians ready to perform on stage. The games are divided into different categories, among them improvisation, creating characters, using and becoming objects, and ideas for pantomime and puppetry. There are also suggestions for monologues, scenes, and plays. A clean design, highlighted by ink drawings, makes the book accessible for kids who want to use this on their own (though teachers, scout leaders, and other interested adults may be the book's best audience). There are also plenty of tips for costumes, makeup, sets, and props. Glossary; bibliography. Ilene Cooper
From School Library Journal
Grade 1-6, Ages 6, 7, 8, 9, 10, 11, 12 A compendium of theater games that is sure to delight young thespians. While the material is not new and many of the games are classics ("Mirrors," "Change Three Things," and "Freeze"), Bany-Winters has a clear and concise way of explaining both the activity and its purpose, making her work a useful source for ensemble-building games for student-run drama groups and rehearsal techniques for adult teachers/directors. Often renamed for greater child appeal, the activities range from vocal warm ups to improvisational scene work, and many include helpful suggestions for variations on familiar games. Exercises in puppetry, mask making, costuming, makeup, and set design, as well as several short scripts, round out the presentation. Explanations of theatrical terms are smoothly incorporated into the text. Tips for young actors and short anecdotes about theatrical figures or plays are featured throughout. Simple black-and-white graphics add touches of humor. One drawback is the list of "Suggested Plays and Stories for Kids," which includes some titles that are beyond both the abilities and interests of preteens. Nevertheless, this will be a terrific addition to drama collections. Purchase an extra copy for the professional shelf as well. Nancy Menaldi-Scanlan, LaSalle Academy, Providence,
Copyright 1998 Reed Business Information, Inc.
From Booklist
Gr. 4-7, Ages 10, 11, 12, 13. Here's a welcome addition for libraries that have calls for theater-related topics. Bany-Winters, who has taught children's theater, has compiled a varied and interesting assortment of theater games that will stimulate the imagination and get young thespians ready to perform on stage. The games are divided into different categories, among them improvisation, creating characters, using and becoming objects, and ideas for pantomime and puppetry. There are also suggestions for monologues, scenes, and plays. A clean design, highlighted by ink drawings, makes the book accessible for kids who want to use this on their own (though teachers, scout leaders, and other interested adults may be the book's best audience). There are also plenty of tips for costumes, makeup, sets, and props. Glossary; bibliography. Ilene Cooper
Show Time!: Music, Dance, and Drama Activities for Kids Ages 9-12
Show Time!: Music, Dance, and Drama Activities for Kids
By Lisa Bany-Winters
Edition: illustrated
Published by Chicago Review Press, 2000
ISBN 1556523610, 9781556523618
194 pages
Cahners Business Information (c) 2000
I Know a Shy Fellow Who Swallowed a Cello Ages 4-7
He's shy, a wallflower. He's the man at the side of the room listening to a duet for cello and viola. Even now you wouldn't notice him. But our shy fellow suddenly has an urge to swallow a cello, which is precisely what he does. And he doesn't stop there. He follows it with a harp, a sax, and a fiddle. On and on he goes, trying to satisfy his voracious appetite for musical instruments. A strange diet, you say? It's the perfect diet for a strange fellow, a strange, shy fellow. Barbara S. Garriel's wacky take-off on the old woman who swallowed a fly is the perfect match for John O'Brien's fertile and funny imagination.
I know a shy fellow who swallowed a celloBy Barbara S. Garriel
Illustrated by Barbara S. Garriel
Edition: illustrated
Published by Boyds Mills Press, 2004
ISBN 1590780434, 9781590780435
32 pages
Kirkus Reviews Copyright (c) VNU Business Media, Inc.
Meet the Orchestra Ages
Have you ever met an orchestra? Well, here's your chance!
Meet the rabbit with her flute... The koala cellist...the tuba-playing warthog...the alligator on the drums...
This unusual introduction to the orchestra describes the instruments - strings, brass, woodwinds, and percussion - and offers interesting information about them.
Playful illustrations show the animal musicians as they gather for an evening's performance. Then the conductor lowers his baton, and the wonderful music begins...
Meet the Orchestra
By Ann Hayes, Karmen Thompson
Illustrated by Karmen Thompson
Edition: illustrated
Published by Houghton Mifflin Harcourt, 1995
ISBN 0152002227, 9780152002220
32 pages
From Publishers Weekly
Working within the framework of an evening at the symphony--the title page features concert-goers buying tickets, the last page shows musicians and audience members heading home--these collaborators have drummed up a treasure of a book for musically inclined children. Each instrument of the orchestra--from oboes and violas to tubas, trumpets and timpani--is explained, with clear definitions as well as more subjective information as to how each one sounds (the clarinet's "cool tones melt in your ears just like ice cream melts in your mouth"). Thompson's illustrations are sumptuously silly--but musically correct--featuring an array of formally dressed animal musicians (check out the otter in tails on the piccolo). Readers also meet the conductor and learn his role, and are treated to a glimpse of the orchestra seated and in full cry. It's a smashing introduction to classical music, and a must prior to a first visit to the symphony. Ages 4-8.
Copyright 1991 Reed Business Information, Inc.
From School Library Journal
Kindergarten-Grade 3-- An attractive, well-planned book that introduces the orchestra's families (groups of like instruments) and its members. In clear and understandable prose, each instrument's function, especially as it relates to the other members of its family, and its sound are described in sometimes poetic phrases--"its song can be bright as laughter, light as air, soft as a whisper, or sad as a tear." Single- or double-page spreads feature a large watercolor illustration of an animal playing the instrument under discussion. Although most are aptly chosen for their instruments--a polar bear playing a bassoon and a lion as the conductor--some are disconcerting. The sight of a chimpanzee in a pink dress and frilly pantaloons sitting at a grand piano lessens the effectiveness of that instrument's description. Overall, however, these creatures add a lively note and enable the book to be friendly and accessible without exhibiting the overriding silliness found in Eugen's Orchestranimals (Scholastic, 1989). A good book to use in the classroom as well as individually, this is a collaboration between two artists whose love for music and the orchestra is evident throughout. --Jane Marino, White Plains Pub . Lib . , NY
Copyright 1991 Reed Business Information, Inc.
From Publishers Weekly
Working within the framework of an evening at the symphony--the title page features concert-goers buying tickets, the last page shows musicians and audience members heading home--these collaborators have drummed up a treasure of a book for musically inclined children. Each instrument of the orchestra--from oboes and violas to tubas, trumpets and timpani--is explained, with clear definitions as well as more subjective information as to how each one sounds (the clarinet's "cool tones melt in your ears just like ice cream melts in your mouth"). Thompson's illustrations are sumptuously silly--but musically correct--featuring an array of formally dressed animal musicians (check out the otter in tails on the piccolo). Readers also meet the conductor and learn his role, and are treated to a glimpse of the orchestra seated and in full cry. It's a smashing introduction to classical music, and a must prior to a first visit to the symphony. Ages 4-8.
Copyright 1991 Reed Business Information, Inc.
From School Library Journal
Kindergarten-Grade 3-- An attractive, well-planned book that introduces the orchestra's families (groups of like instruments) and its members. In clear and understandable prose, each instrument's function, especially as it relates to the other members of its family, and its sound are described in sometimes poetic phrases--"its song can be bright as laughter, light as air, soft as a whisper, or sad as a tear." Single- or double-page spreads feature a large watercolor illustration of an animal playing the instrument under discussion. Although most are aptly chosen for their instruments--a polar bear playing a bassoon and a lion as the conductor--some are disconcerting. The sight of a chimpanzee in a pink dress and frilly pantaloons sitting at a grand piano lessens the effectiveness of that instrument's description. Overall, however, these creatures add a lively note and enable the book to be friendly and accessible without exhibiting the overriding silliness found in Eugen's Orchestranimals (Scholastic, 1989). A good book to use in the classroom as well as individually, this is a collaboration between two artists whose love for music and the orchestra is evident throughout. --Jane Marino, White Plains Pub . Lib . , NY
Copyright 1991 Reed Business Information, Inc.
Zin! Zin! Zin!: A Violin Ages 4-8
Zin! Zin! Zin!: A Violin
By Lloyd Moss, Marjorie Priceman
Illustrated by Marjorie Priceman
Edition: illustrated
Published by Simon & Schuster Books for Young Readers, 1995
ISBN 0671882392, 9780671882396
32 pages
Amazon.com Review
"The STRINGS all soar, the REEDS implore, / The BRASSES roar with notes galore. / It's music that we all adore. / It's what we go to concerts for." In this exuberant tribute to classical music and the passionate, eccentric musicians who play it, author Lloyd Moss begins with the mournful moan and silken tone of one trombone. A trumpet sings and stings along, forming a duo, then a fine French horn joins in, "TWO, now THREE-O, what a TRIO!" The mellow cello ups it to a quartet, then ZIN! ZIN! ZIN! a violin soars high and moves in to make a quintet. The flute that "sends our soul a-shiver" makes a sextet, and "with steely keys that softly click," a sleek, black, woody clarinet slips the group into a septet. We move on! A chamber group of ten! And the orchestra is ready to begin. Moss should be congratulated for creating a playful, musical stream of rhyming couplets that seamlessly, slyly teaches the names of myriad musical groups. Marjorie Priceman, the whimsical, masterful illustrator of Elsa Okon Rael's When Zaydeh Danced on Eldridge Street and Jack Prelutsky's For Laughing Out Loud, won a Caldecott Honor Award for this swirling, twirling, colorful musical world worthy of thunderous applause and a standing ovation. (Ages 4, 5, 6, 7, 8) --Karin Snelson
From Publishers Weekly
This debut book by author Moss, as kids today would say is boss. Its clever, jazzy verse presents (In language that is never dense) a helpful intro to each orchestra instrument-how some are alike but rather more are different. He starts with the trombone's "mournful moan," playing solo (i.e., alone); then adds a trumpet, French horn and cello-all sounding forth a signature "hello." Each musical portrait (in quatrains) abounds with perfectly chosen, alliterative sounds. Thus the flute, notes Moss, "sends our soul a-shiver; flute, that slender silver sliver." And Priceman's zany art's just right, with loose-limbed figures taking flight around each spread in garb bizarre, if proving how funky musicians are.With every new instrument joining the throng of diligent players practicing song, Moss incorporates numbers and stops only when his team finally reaches a "chamber group of ten." So the book can be used as a counting tool (A great way to perk up a dull day at school): but it really works best, it's easy to see, as a deft means of meeting the symphony. So a plentiful praise to this finely matched pair, whose pictures and words show unusual flair.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Amazon.com Review
"The STRINGS all soar, the REEDS implore, / The BRASSES roar with notes galore. / It's music that we all adore. / It's what we go to concerts for." In this exuberant tribute to classical music and the passionate, eccentric musicians who play it, author Lloyd Moss begins with the mournful moan and silken tone of one trombone. A trumpet sings and stings along, forming a duo, then a fine French horn joins in, "TWO, now THREE-O, what a TRIO!" The mellow cello ups it to a quartet, then ZIN! ZIN! ZIN! a violin soars high and moves in to make a quintet. The flute that "sends our soul a-shiver" makes a sextet, and "with steely keys that softly click," a sleek, black, woody clarinet slips the group into a septet. We move on! A chamber group of ten! And the orchestra is ready to begin. Moss should be congratulated for creating a playful, musical stream of rhyming couplets that seamlessly, slyly teaches the names of myriad musical groups. Marjorie Priceman, the whimsical, masterful illustrator of Elsa Okon Rael's When Zaydeh Danced on Eldridge Street and Jack Prelutsky's For Laughing Out Loud, won a Caldecott Honor Award for this swirling, twirling, colorful musical world worthy of thunderous applause and a standing ovation. (Ages 4, 5, 6, 7, 8) --Karin Snelson
From Publishers Weekly
This debut book by author Moss, as kids today would say is boss. Its clever, jazzy verse presents (In language that is never dense) a helpful intro to each orchestra instrument-how some are alike but rather more are different. He starts with the trombone's "mournful moan," playing solo (i.e., alone); then adds a trumpet, French horn and cello-all sounding forth a signature "hello." Each musical portrait (in quatrains) abounds with perfectly chosen, alliterative sounds. Thus the flute, notes Moss, "sends our soul a-shiver; flute, that slender silver sliver." And Priceman's zany art's just right, with loose-limbed figures taking flight around each spread in garb bizarre, if proving how funky musicians are.With every new instrument joining the throng of diligent players practicing song, Moss incorporates numbers and stops only when his team finally reaches a "chamber group of ten." So the book can be used as a counting tool (A great way to perk up a dull day at school): but it really works best, it's easy to see, as a deft means of meeting the symphony. So a plentiful praise to this finely matched pair, whose pictures and words show unusual flair.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
My Chocolate Year Ages 8 to 12
My Chocolate Year PREVIEW
Charlotte Herman
Illustrated by LeUyen Pham
FictionAges 8, 9, 10, 11, 12
Simon and Schuster, 2008, 1-4169-3341-7 163 PAGES
Dorrie Meyers is starting fifth grade, the year of the Sweet Semester baking and essay contest at school. Dorrie is determined to win, but her cakes fall flat, her cookies look like pancakes, and she learns the hard way that chocolate-covered gum is NOT a good idea.
Then Dorrie meets her cousin Victor for the first time. Victor is an immigrant from Europe, and he is about to teach Dorrie that a loving family and a safe homeland are the sweetest things of all. With some top-secret tips from Victor's family's bakery and a big slice of confidence, Dorrie Meyers might just have the yummiest year of her life.
The anticipation of "Sweet Semester ...
...," the fifth-grade dessert-making contest, has Dorrie and her Chicago classmates planning all sorts of recipes. This year, Mrs. Fitzgerald has made the contest more exciting and important by including a fundraiser for children of post–World War II Europe with the promise of newspaper coverage for winners of the best dessert and essay. Dorrie and best friend Sunny try out recipes for several favorite chocolate treats, often with humorous setbacks and unforeseen disasters. But the real tragedy is the news that most of Dorrie's Jewish Polish family perished in the war with only 16-year-old cousin Victor surfacing from his hidden Holocaust life. Herman's autobiographically inspired short novel captures the essence of a 1940s Jewish-American lifestyle filled with the love and hard work of an immigrant family determined to reunite with their sole surviving relative. Her lighthearted first-person narration, studded with 12 recipes for successful chocolate desserts, reflects a certain childhood sweetness that evolves into a more poignant understanding of the realities of war and the importance of family ties. Pham's black-and-white drawings add a nostalgic flavor to the book's time period and setting. (Fiction. 8, 9, 10, 11,12) « Kirkus Reviews Copyright (c) 2/19/2008 VNU Business Media, Inc.
Margaret O'Brien, Aunt Esther, DP camp, Yiddish, Sunny, Hanukkah, Sweet Semester, Bubbie, muggle, Ruth Wakefield, Journey for Margaret, Rosh Hashanah, vanilla ice, caramel apples, egg creams, whipped cream, Chicago Daily, Fred Astaire, Aunt Jenny, stuffed cabbage
Margaret O'Brien, Aunt Esther, DP camp, Yiddish, Sunny, Hanukkah, Sweet Semester, Bubbie, muggle, Ruth Wakefield, Journey for Margaret, Rosh Hashanah, vanilla ice, caramel apples, egg creams, whipped cream, Chicago Daily, Fred Astaire, Aunt Jenny, stuffed cabbage
2008 Read Aloud Award When Dinosaurs Came With Everything Ages 3-8
Get a WHAT!?
When Dinosaurs Came with EverythingFree WHAT!?
DINOSAURS?
Just when a little boy thinks he's going to die of boredom from running errands with his mom, the most remarkable, the most stupendous thing happens. He discovers that on this day, and this day only, stores everywhere are giving away a very special treat with any purchase. No, not the usual lollipop or sticker. Something bigger. Much, MUCH bigger. It's a dream come true, except...what exactly do you do with these Jurassic treats? And how do you convince Mom to let you keep them?
By Elise Broach, David Small
Illustrated by David Small
Edition: illustrated
Published by Simon and Schuster, 2007
ISBN 0689869223, 9780689869228
40 pages
What if one day every merchant in town ...
... offered up, and indeed, insisted that shoppers take home a live dinosaur (free) with every purchase? That's what happens to a boy and his mother in this sweet, absurd story that unfolds very much like a dream—or a nightmare, depending on the reader's perspective on having a large dinosaur as a pet. In Small's comical, wonderfully expressive watercolor-and-ink drawings, it's easy to identify the mother's reaction to the bonus triceratops (free with a dozen doughnuts); stegosaurus (from the doctor instead of stickers); and pterosaur (from the barber instead of the usual balloon): unmitigated horror, inversely proportionate to her son's delight. The hulking beasts are irresistibly endearing, though, as they wait patiently, doglike, for their new owners outside all the town establishments and ultimately, once at home in the family's backyard, prove their worth as household laborers, cleaning gutters and rescuing far-flung Frisbees. In the end, the boy's friends bring their own newly acquired dinos over to his house for a poolside party—and he knows Mom has truly come around when she calls the baker for more doughnuts. (Picture book. 4, 5, 6, 7) Kirkus Reviews Copyright (c) 9/25/2007 VNU Business Media, Inc.
PreS-Gr 1 Age 3, 4, 5, 6 — In a playful take on the ...
... stickers and lollipops that bored kids sweep up at businesses as parents do errands, Broach imagines what would happen if a dinosaur were the giveaway of the day. A boy's increasing delight at the freebies he collects from the bakery, the doctor, and barber contrast with his mother's increasing panic and dismay as the lumbering beasts start to accumulate. When they acquire the fourth behemoth, Mom decides that the errands are done and whisks everyone home. Once there, she finds some unique ways to put the stegosaurus, triceratops, hadrosaur, and pterosaur to good use doing household chores. Small's sketchy, tongue-in-cheek watercolor-and-ink artwork perfectly captures the boy's exuberance, the dinosaurs' mass, and the hubbub that a city full of these reptiles would create. Dinosaur lovers will enjoy seeing their favorite creatures pictured and named, though the book's appeal won't just be for them. Both listeners and independent readers will appreciate the humor in the text, and the book will spark imaginations and discussions on what else might make great giveaways.—Marge Loch-Wouters, Menasha Public Library, WI School Library Journal vol. 53 iss. 9 p. 158 (c) 09/01/2007
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